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Scheveningen (ZH): O.L.
Vrouwe van Lourdeskerk (A.J. Kropholler & C.M. van Moorsel,
1913-1926)
This could have been A.J. Kropholler's first
church, but it didn't happen as planned. Although Kropholler
had designed many buildings before, he had never built a church,
until he was commissioned to design a new Roman Catholic church
in Scheveningen. It was to be more than a church. The complex
would include houses too, as well as a chapel. A Roman Catholic
complex, the first Kropholler designed. In 1913 work started.
The chapel and the houses were completed accrding to the design,
but of the church only the lower part of the tower was built.
The Den Haag municipality, of which Scheveningen was, and is,
a part, did not accept the design. Instead of changing the design
Kropholler quit the job. In 1920 C.M. van Moorsel made a new
design which was built in 1925-1926. Both Kropholler's and Van
Moorsel's parts of the building are in Traditionalistic style.
Although the Delft
School movement of Traditionalistic architecture wasn't formed
until the 1920's Kropholler's chapel can be regarded as a very
early example of the style that became synonomous for the movement.
This chapel was Kropholler's first religious work and Kropholler's
style for such buildings hardly changed in the next four decades.
A typical feature of the chapel is the front, which is made of
two parts, one of which is bevelled. In the other part is a sculpture
of a pelican feeding its young with its own blood; this sculpture
was made by Joseph Mendes da Costa, who made several similar
sculptures for some of Kropholler's later churches as well. The
chapel itself is a one-aisled brick building. It's covered by
a roof on a wooden construction.
Van Moorsel's church illustrates that, even though M.J. Granpré
Molière lead the Delft School, it must have been Kropholler
who pioneered the style it became known for. The completed church
is a three-aisled building with a very wide central aisle and
narrow side-aisles. The choir on the outside is hidden from view
by other parts of the complex. At its side is a narrow tower
with saddle-roof. A difference with Kropholler's work is the
use of rectangular windows. Another remarkable feature of the
church is the new entrance which had to be positioned diagonally
on the nave. due to the surrounding buildings. Van Moorsel did
not complete the other tower with the old entrance as started
by Kropholler. Kropholler eventually finished this tower himself
in 1965 as a gift from the notorious project developer R. Zwolsman. |